But the premise was what made it a phenomenon, the idea our whole reality might be a virtual concoction. Yet for a relic, it never slipped far from view – still a familiar reference in a world divided between internet and IRL (in real life), its characters endlessly circulating in memes and gifs, often as vehicles for the acrid politics that define our 21st century.Ĭharli XCX and Troye Sivan on the cover of ‘1999’īack in the 20th, much of the highest excitement was reserved for the visuals – the “digital rain” of green code, the bullets slowed to a stop while Reeves swayed around them. “1999”, the recent song from Charli XCX and Troye Sivan, features wistful lyrics (“Those days, it was so much better”) and cover art in which the millennial pop stars wear the black leather costumes made famous by Keanu Reeves and Carrie-Anne Moss as they battled the machines enslaving humanity. By the time of the first sequel four years later, they were already half-vanished, replaced by a private army of Nokias and Motorolas.īut now The Matrix is a relic too, a quaint slice of 90s nostalgia about to celebrate its 20th anniversary. Payphones were still everywhere in western cities when the film came out in March 1999. T he Matrix has barely started when a phone booth is demolished, left as a smashed pancake of glass and metal.
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